“And then did your feelings towards him change suddenly?” questioned Miss Tolley. “I want you to be just yourself,” said Joan; “a kind, good woman of the people, who will win their respect, and set them an example.” She moved across and seating herself on the arm of Mrs. Phillips’s chair, touched lightly with her hand the flaxen hair and the rouged cheek. “I want you to get rid of all this,” she whispered. “It isn’t worthy of you. Leave it to the silly dolls and the bad women.”!

Mud! that seemed to be the one word with which to describe modern war. Mud everywhere! Mud ankle-deep upon the roads; mud into which you sank up to your knees the moment you stepped off it; tents and huts to which you waded through the mud, avoiding the slimy gangways on which you slipped and fell; mud-bespattered men, mud-bespattered horses, little donkeys, looking as if they had been sculptured out of mud, struggling up and down the light railways that every now and then would disappear and be lost beneath the mud; guns and wagons groaning through the mud; lorries and ambulances, that in the darkness had swerved from the straight course, overturned and lying abandoned in the mud, motor-cyclists ploughing swift furrows through the mud, rolling it back in liquid streams each side of them; staff cars rushing screaming through the mud, followed by a rushing fountain of mud; serried ranks of muddy men stamping through the mud with steady rhythm, moving through a rain of mud, rising upward from the ground; long lines of motor-buses filled with a mass of muddy humanity packed shoulder to shoulder, rumbling ever through the endless mud. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.

“Must you, dear?” she said. “Can’t you reconcile it to yourself—to go on with your work of mercy, of saving poor folks’ lives?” “We ought to be comrades,” answered Joan, with a smile. “I, too, am trying to help the People.” The landlady entered with Joan’s tea. Joan took an instinctive dislike to her. She was a large, flashy woman, wearing a quantity of cheap jewellery. Her familiarity had about it something almost threatening. Joan waited till she heard the woman’s heavy tread descending the stairs, before she expressed her opinion.